Wednesday, 18 October 2017

First storyboard draft


OVERVIEW
  • This is the storyboard I originally made for our thriller opening. The plot is about a few friends that go out camping in the woods when a man runs up to them and tells them to run away. However, none of the three friends believe the man. The scene ends with a man looking at them through binoculars.

SCENE 1


SCENE 2


SCENE 3


SCENE 4

Camera shots


Camera angles and shots 

In a thriller opening, in order to catch the viewers attention there may be an action scene or something intense to created anticipation and keep the viewer fully engaged in the film. During scenes, titles will usually be show in exaggerated font size. If there is not an action packed scene at the beginning, there may be a long or establishing shot in order to set the scene,  which again this will usually have titles in them.


Bird eye/high angle

These kind of shots are used in horror and thriller films to make the figure or object that is being looked down on seem completely vulnerable and powerless.











Close up


Close up's in Thrillers are used to see a persons reaction. This is the shot which shows the most emotion from the characters. It is also used to capture detail in an important scene.






Tracking and panning shot


These shots connotes movement. This is used very effectively in Thriller movies to make out a character being followed or watched. It could also establish a scene so the audience can see the full view. Another great use is as the camera is moving the suspense builds up as you don't know what could be shown next.


Reverse


This type of camera view could be very effective in Thrillers as it could show consequences of actions and what would happen if you went back in time. It shows a character undergoing realisation and the suspense is built up.















Tilted angle

Tilt shots add a lot of dramatic tension to shots, and could simplify a supernatural being, for example, pushing or moving the camera. It's also a great way to get a different shot of an incident across to the audience. Another great way great use for a tilt shot is to act as though the camera is a victim on the floor, and you are seeing what they are seeing.









Extreme long shot or long shot

This is a great scene to use to establish thriller movies. This shot could put in perspective how deserted something is.









Low Angles


Low angle shots are very powerful in the way  they can emphasise just how scary or intimidating a villain is. This could make you as the audience as well as the actors/actresses in the film feel weak and insignificant.







Hand held camera shot


This is use very often in horror/thriller films to add a sense of reality. It makes the audience feel involved and adds to the horror of the scene as you feel like you are there. 









Point of view shot

This shot is taken from the point of view of the character. This is when the audience is able to see the film through the eyes of one character. This is popular in these types of movies as the audience becomes emotionally attached and more scared as the gun could be directly point at them for example.






Zoom


This adds to the dramatic effect and creates element of suspense and fear as you don’t know what you are going to see next. It could also be used to zoom into something gory or gruesome. One other use could be that you zoom into see something you wouldn’t of spotted before like a supernatural being.





Over the shoulder shot

This is one of the best shots to build tension. This is used a lot in horrors and thrillers to add suspense, and is used especially around mirrors and reflections so the audience can see what's happening as soon as the character does. This is used a lot to show a figure stood behind a victim.















Tuesday, 17 October 2017

Film Guidelines

BBFC Film Rating Guidelines



U Universal – Suitable for all

A U film should be suitable for audiences aged four years and over, although it is impossible to predict what might upset any particular child.
U films should be set within a positive framework and should offer reassuring counterbalances to any violence, threat or horror. If a work is particularly suitable for pre-school children, this will be indicated in the BBFC insight.
 

Discrimination

Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of.
 

Drugs

References to illegal drugs or drug misuse must be infrequent and innocuous, or have a clear educational purpose or anti-drug message suitable for young children.
 

Imitable behaviour

Potentially dangerous or anti-social behaviour which young children may copy must be clearly disapproved of. No emphasis on realistic or easily accessible weapons.
 

Language

Infrequent use only of very mild bad language.
 

Nudity

Occasional nudity, with no sexual context.
 

Sex

Only very mild sexual behaviour (for example, kissing) and references to such behaviour.
 

Threat

Scary or potentially unsettling sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
 

Violence

Violence will generally be very mild. Mild violence may be acceptable if it is justified by context (for example, comedic, animated, wholly unrealistic)


  

12A/12 – Suitable for 12 years and over

Films classified 12A and video works classified 12 contain material that is not generally suitable for children aged under 12. No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult. Adults planning to take a child under 12 to view a 12A film should consider whether the film is suitable for that child. To help them decide, we recommend that they check the BBFCinsight for that film in advance. No one younger than 12 may rent or buy a 12 rated video work.
 

Discrimination

Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
 

Drugs

Misuse of drugs must be infrequent and should not be glamorised or give instructional detail.


Imitable behaviour

No promotion of potentially dangerous behaviour which children are likely to copy. No glamorisation of realistic or easily accessible weapons such as knives. No endorsement of anti-social behaviour.
 

Language

There may be moderate language. Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.
 

Nudity

There may be nudity, but in a sexual context it must be brief and discreet.
 

Sex

Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unlikely to be acceptable.


Threat

There may be moderate physical and psychological threat and horror sequences. Although some scenes may be disturbing, the overall tone should not be. Horror sequences should not be frequent or sustained.
 

Violence


There may be moderate violence but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and its depiction must be justified by context.


12A/12 – Suitable for 12 years and over

Films classified 12A and video works classified 12 contain material that is not generally suitable for children aged under 12. No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult. Adults planning to take a child under 12 to view a 12A film should consider whether the film is suitable for that child. To help them decide, we recommend that they check the BBFCinsight for that film in advance. No one younger than 12 may rent or buy a 12 rated video work.
 

Discrimination

Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
 

Drugs

Misuse of drugs must be infrequent and should not be glamorised or give instructional detail.


Imitable behaviour

No promotion of potentially dangerous behaviour which children are likely to copy. No glamorisation of realistic or easily accessible weapons such as knives. No endorsement of anti-social behaviour.
 

Language

There may be moderate language. Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.
 

Nudity

There may be nudity, but in a sexual context it must be brief and discreet.
 

Sex

Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unlikely to be acceptable.


Threat

There may be moderate physical and psychological threat and horror sequences. Although some scenes may be disturbing, the overall tone should not be. Horror sequences should not be frequent or sustained.
 

Violence

There may be moderate violence but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and its depiction must be justified by context.


15 – Suitable only for 15 years and over

No one younger than 15 may see a 15 film in a cinema. No one younger than 15 may rent or buy a 15 rated video work.
 

Discrimination

The work as a whole must not endorse discriminatory language or behaviour, although there may be racist, homophobic or other discriminatory themes and language.
 

Drugs

Drug taking may be shown but the work as a whole must not promote or encourage drug misuse (for example, through instructional detail). The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.


Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Whether the depiction of easily accessible weapons is acceptable will depend on factors such as realism, context and setting.
 

Language

There may be strong language. Very strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.


Nudity

There are no constraints on nudity in a non-sexual or educational context. There may be nudity in a sexual context but usually without strong detail.
 

Sex

Sexual activity may be portrayed, but usually without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Threat

There may be strong threat and horror. A sustained focus on sadistic or sexual threat is unlikely to be acceptable.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but the depiction of sexual violence must be discreet and justified by context.


18 – Suitable only for adults

No one younger than 18 may see an 18 film in a cinema. No one younger than 18 may rent or buy an 18 rated video work. Adults should be free to choose their own entertainment.

Exceptions are most likely in the following areas:

• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to us to risk harm to individuals or, through their behaviour, to society. For example, the detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sadistic or sexual violence which make this violence look appealing; reinforce the suggestion that victims enjoy sexual violence; or which invite viewer complicity in sexual violence or other harmful violent activities
• where there are more explicit images of sexual activity in the context of a sex work (see below) or where the primary purpose of the images in question is sexual arousal In the case of video works, which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.


Sex education at 18

Where sex material genuinely seeks to inform and educate in matters such as human sexuality or safer sex and health, explicit images of sexual activity may be permitted.


Sex works at 18

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed 18. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the R18 category. Material which is unacceptable in a sex work at R18 is also unacceptable in a sex work at 18.


R18 - To be shown only in specially licensed cinemas, or supplied only in licensed sex shops, and to adults only

The R18 category is a special and legally-restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. R18 video works may not be supplied by mail order.

http://www.bbfc.co.uk/what-classification

Friday, 13 October 2017

Preliminary task



In our preliminary task we used a variety of camera shots. We used a long shot, a close up shot, over the shoulder shot.  These shots were effective and gave us a good indicator on whether we should use these shots in our actual thriller opening.

Thursday, 12 October 2017

Researching Music


Whilst researching scary music used in thriller films I saw this video and all music used was a great example and I thought it wouldn't be too difficult to implement it in my own thriller film as it adds tension and can cause the audience to feel insecure.



Blair Witch Project


The music used in the Blair Witch project was another perfect example for my own film. As it's mysterious, it adds more fear to the audience making it a lot better. 

Jurassic Park


The theme song of Jurassic park is arguably one of the most famous theme songs of all time. The slow building of volume of all the instruments is very effective as it almost catches the audience off-guard when it breaks into the chorus.


These comments on a youtube video of the theme song of Jurassic Park clearly show how good it was. This is shown by the comments with many even saying that the theme song is the best of all time.









Wednesday, 11 October 2017

Film openings (art of the title)















0.09s: Production company


0.13s: Lead Actor





0.37s: Lead Actor





0.43s: Supporting Actor



0.46s: Supporting Actor














0.51s: Supporting Actor






0.56s: Supporting Actor


1.01s: Supporting Actor





















1.12s: Other Actors







    1.18s: Other Actors

















1.24s: Other Actors


















1.28s Other Actors


















1.35s: Casting manager)


















1.44s: Associate producer
















1.49s: Music by




















1.52s: Music supervisor
















1.57s: Visual effects supervisor














2.04s: Costume designer















2.09s: Editing
















2.14s: Production Designer

















2.21s: photographer director

















2.27s: Co-producers















2.31s: Executive Producers












2.40s: Executive producer













2.45s: Executive Producer












2.50s: Executive Producer














2.56s: Producer











2.59s: Director





Reservoir Dogs







                                         








 - 00:14 - Director , Quentin Tarantino



                                              
    - 00:28 - Lead Actor, Harvey Keitel


                                            











     - 00:34 - Supporting Actor, Michael Madsen



                                     












      - 00:38 - Supporting Actor, Chris Penn

                                           
     - 00:44 - Supporting Actor, Steve Buscemi


                                           
    - 00:48 Supporting Actor, Lawrence Tierney


                                              
  - 00:52 Supporting Actor, Eddie Bunker


  - 00:56 Supporting Actor, Quentin Tarantino




      - 01:02 Lead Actor, Tim Roth


                                                
                                               










    - 01:14 Title Card, Reservoir Dogs



                                                   











           - 01:26 Other Actors





Production Credits








                                                









   01:38 Music Supervisor, Karyn Rachtman           




        

                                                   









 01:34 Casting, Ronnie Yeskel



                                            











 - 01:42 Costume Designer, Betsy Heimann



                                             











    - 01:46 Editor, Sally Menke



                                              











 - 01:50 Production Designer, David Wasco



                                     











     - 01:56 Director of Photography, Andrzej Sekula



                                    











           - 02:00 Costume-Producer, Harvey Keitel




                                                









   - 02:04 Producer

- 02:10 Executive Producers, Lawrence Bender











Evaluation